From one of the most acclaimed photographers working today comes his most personal work to datean intimate portrait of the seminary boarding school he attended for seven years and which deeply informed his artistic practice. At age eleven, Michael Kenna developed his first roll of black and white film in a makeshift darkroom at St. Josephs College, Upholland, the seminary he attended with the idea of becoming a Catholic priest. Kenna abandoned his religious calling after leaving the seminary, but his experiences there have continued to inform his work for decades. These gorgeous, meditative photographs were taken when Kenna returned to visit the now-shuttered school in the early 2000s. All of the qualities that make Kennas work so appealing and evocative are hererichly nuanced tones, studies in contrast, his ability to transform the ordinary into something extraordinary. But Kenna is also revisiting a way of life that may be disappearingnot only the, at times, ruthless discipline of the British boarding school, but also the somber beauty of religious practice. In page after page of richly toned images, Kennas camera captures the architecture of the schools built environment as well as its spiritual architecture. Kennas richly detailed biographical essay about his experiences and observations at St. Joseph's reveal much about the way Kenna thinks and works. A critical essay by Vincent J. Miles focuses on the 110-year history of the college, contextualizing Kennas time there. At once captivating and haunting, this series is truly one of the photographers most personal and powerful projects to date.

Michael Kenna has produced more than 70 books of photography, including Forms of Japan, Rouge, Holga, Beyond Architecture, and Buddha. His work is in the collection of countless museums and galleries around the world. He lives in Seattle, WA.